![]() Here I have added a short passage to the score, having used the ctrl-B command to add more bars. I have chosen a tempo of crotchet equals 60, a time signature of 4/4 and a key of G major. Your score should now look something like this. The align-to-column tool and its sister ctrl – shift – R (align into row) are very useful presentation tools which I will be returning to throughout this series! (NB: Users of earlier versions may find this command moves the time signature, not the tempo, in which case you’ll have to do it by hand.) In a bar without a time signature a tempo marking should be placed directly over the object it refers to – usually the first note or rest in the bar – not the barline. The tempo marking should be placed directly over the time signature – you can do this automatically by selecting the tempo marking and the time signature and using the keyboard shortcut ctrl – shift – C which aligns the objects into a column. Sibelius understands tempo markings in the form crotchet/quaver/etc = X where X is your tempo in beats per minute, and will change the playback speed of the score to match. To enter note values into a tempo marking right-click on the flashing cursor to access a symbol menu. The tempo marking can also be found in this menu – in Text > Tempo – or created using the shortcut ctrl – alt – t. Forgetting these essentials is an easy way to lose marks if you’re submitting work for assessment!īoth the key signature and the time signature can be created using the right-click menu (command-click on Apple computers). There is a lot of music which has only some – or none – of these things, but unless that’s specifically what you want you should add them now, as they’re very easy to forget later. Every score needs a time signature, a key signature, and a tempo marking, unless there’s a very good reason why not. I’ve chosen a flute.īefore beginning to input music there are three things we have to add. Here you can select which instruments appear in your score. Now we need to create an instrument: press I to open the instrument dialogue, or go to ‘Home’ in the menu ribbon at the top of the screen, and select ‘Add or Remove’ from the instrument panel. ![]() NB: To use these keyboard shortcuts on a Mac replace ctrl with cmd and alt with option. To this select “Blank” from the quick-start menu, select File > New or use the keyboard shortcut crtl – N. There are lots of presets for different ensembles, but for now let’s start with a blank score. You may find it useful to follow the steps in Sibelius yourself.įirst of all let’s create a new score. I will now demonstrate how to create and edit a score for a solo instrument. In the third and final part I will demonstrate techniques needed for larger scores, non-standard notation such as simultaneous tempi and how to interface Sibelius with other pieces of software. In the second post I will explore the presentation of more complicated music, including slurs, articulation marking, extended techniques and transposing instruments, and show how to get the best from your extracted parts with the minimum of fuss. I will go through the stages of creating a score and instruments, and adding and editing notation. In the first – this – blog I’m going to cover some of the fundamentals: what you need to include in a score and how to make it look good. I will sometimes mention previous versions, when there is a substantial different in functionality, so if you’re using Sibelius 6 or 7 you should still be able to apply most of this content. I’m generally going to be referring to Sibelius 8, the most recent version, as it’s what most new users will encounter. ![]() I will also be mentioning a lot of time-saving keyboard shortcuts, which once memorised will dramatically improve your Sibelius workflow. Instead, I’m going to show you how to get the best results from Sibelius when using it for your degree work by looking at where Sibelius’s default settings don’t always produce the best results, and what changes we can make to improve the clarity and presentation of our scores. In this series of blog posts I’m going to take a look at a tool which millions of music students and professionals use every day: Sibelius.Īside from some basics, this won’t be a guide on how to operate the program – there are lots of great tutorials on this already out there, and if that’s what you’re looking for then the Avid Video Tutorials are a great place to start.
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